帝国[电影解说]

类型：剧情 惊悚 短片 电影解说  地区：其它  年份：1987 

播放地址

剧情简介

　　Short film Empire is based on a radio drama Sorry, Wrong Number by the American writer Lucille Fletcher. Actually, Sokurov draws on a single theme forming the background for the story of the thriller — the woman's illness… The heroine is bed–ridden and her only means of communication with the outside world is her telephone — until a killer interrupts the conversation…　　Sokurov removes all the dialogues, leaving us alone with the heroine — “a living skeleton” among the refined, with a touch of Modern–style, furnishings — who is listening to a radio broadcasting of Traviata, with its pleas for mercy and love. An elegant coffin–home is the spatial centre and symbolization of the entire film. And inside the coffin we certainly see the actress — the famous Russian ballerina Alla Osipenko who plays not only the heroine but also her own self.　　This metaphoric cinema–image bears an allusion to the great “handicapped” Sarah Bernhardt who was reported to sleep in a coffin, as well as to the entire complex of aesthetised Decadence, converting an apology of Death into a lifestyle. Here is the key to the code of the title. Empire is a style that attempted to reanimate the dead ancient harmony. The heroine of Sokurov's film communicates with her phone as the only partner, and sort of interferes with the beyond, attracting this air — intangible yet saturated with danger. It is from the radio air that she accumulates both pleasure and tranquillity — the aria of dying yet beloved Violetta, while the killer's silhouette materializes from the phone air. A chamber pot, overturned and spilt by the killer in haste, remains the only evidence of human activities in this boudoir of Death. Sokurov's metaphor, clad in naturalistic details, produces the effect of ironic disclosure: “a wet spot” is left after a symbol.　　The film was shot as a study work of a VGIK student S.Sidorov. At that time Sokurov did not have a chance to launch a project of his own, therefore he used this possibility to work. Visual conception of this film anticipates a considerable number of Sokurov's future experiments: light that models the space, levelling of colours, correlation of contrasting textures.

帝国[电影解说]影评

酸笋剧场网友：亚历山大·索科洛夫导演在《帝国[电影解说]》这部影评中的运镜、剪辑、演员Alla Osipenko 的演技、配乐都是满分的存在，《帝国[电影解说]》以剧情为切入感十分流畅不出戏，甚至里面的一些细节拍的如此之好，让我十分惊喜。

百度云网友:《帝国[电影解说]》的伟大之处就是给你营造了一个梦幻国度，不仅画面美而且充分发挥你的想象力，最主要是抽离现实让你短暂忘掉现实，从懂事起就听过这部影片，一直到现在才看，亚历山大·索科洛夫不愧是大师，应该会继续看他其他的作品。

樱花动漫网友: 《帝国[电影解说]》这部影视作品放在人人都要喊着走出舒适圈的今天，简直是部丧爆了的作品吧！感谢Alla Osipenko的精彩演绎，感谢亚历山大·索科洛夫导演，自由，说起来容易，其实是另一种束缚，太多的选择，等于别无选择！坚守自己可以掌控的东西，也是需要勇气的事！如果每个人都能坚守住自己的精神家园，就不会有那个操蛋的20世纪了吧！

酸笋剧场网友: 影片《帝国[电影解说]》剧情联系现实，题材很优秀，完成度很高，当中的场景推进都十分的紧凑，剧中的所有场景情节都可以将观众们的心所感染，在技术细节上面当中来看的话，其实也挑不出来很大的毛病，冲着剧情和演员也该给这个分数，Alla Osipenko等实力派演员的演技简直了。

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