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决斗剧情简介
电影《决斗》由朱丽叶·贝尔托,布鲁·欧吉尔,Jean Babilée,Hermine Karagheuz,Nicole Garcia主演，由雅克·里维特 执导，于1976年在法国上映，编剧，英文名：juedou ，Rivette is relatively precise in his dealings with meaning. He is the most atavistically ceremonious of the Vague, in the sense that his abstraction as a journey leading inwards is always attended by signs and codas that affirm our passage. The transcendent rite of passage, in more ways than one, is about the symbolic enactment that paves the way. The transcendence itself is left to our sphere of experience, but we're at least brought to the doorstep. Oh, there's the improvisational flow that seems to throw people off, that things seem to be randomly bubbling up from nothing without significant plan or substance. The chance encounters in a world that we may recognize, the geography vaguely familiar whose nature is yet ultimately insoluble. There's a lot of that here. As in Celine, it is the breathing space that conducts our preparation to step beyond the mechanisms of reason. We don't reason with it, rather trust its intuitive flow. Like the dream world, it is only the figment of the known world spontaneously arisen as a stage or blank slate for the atavistic portents and divinations of the subconscious mind to be writ. But the rite of passage matters, in spite of the seemingly aimless wandering. Here it is about human effort to bypass the 'wall of paradise' constituted by the coincidence of apparent opposites (good and evil, light and dark, being and non-being). A barrier that obscures vision and traps in a world of names and forms that is only an apparent reality. Rendered in the film as twin goddesses of sun and moon, vying for a precious stone that enables their descend into the human world. The human characters are mere pawns to their schemes; to be seduced, tricked, threatened, or ultimately destroyed. Twin femme fatales, weaving spells in an inverse noir universe magnified into a macrocosmic struggle. The ill-prepared man who chances to steal a glimpse of them in their true form, like in the myth of Actaion who steals upon the Greek goddess Artemis bathing naked in a pool, has his consciousness shattered by the revelation. His mirrored image (the soul, the reflected half) is cracked. The woman who finally shatters the illusionary duality that quarantines human consciousness into meaningless dilemmas, does so by a sacrifice of blood. And this is the problem of the film. So much of it is a stridently symbolic enactment, a matter of ceremony. The sacrifice is, quite literally, a matter of spilling blood upon the symbolic stone and does not flow from anything - it is simply the schematic end of the spiritual myth. Although valuable as insight, the meaning of the film is trapped inside the rituals performed to signify it. Having cracked the outer shell to absorb it, the film seizes to resonate.
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决斗影评
酸笋剧场网友：雅克·里维特导演在《决斗》这部影评中的运镜、剪辑、演员朱丽叶·贝尔托,布鲁·欧吉尔,Jean Babilée,Hermine Karagheuz,Nicole Garcia 的演技、配乐都是满分的存在，《决斗》以剧情为切入感十分流畅不出戏，甚至里面的一些细节拍的如此之好，让我十分惊喜。
百度云网友:《决斗》的伟大之处就是给你营造了一个梦幻国度，不仅画面美而且充分发挥你的想象力，最主要是抽离现实让你短暂忘掉现实，从懂事起就听过这部影片，一直到现在才看，雅克·里维特不愧是大师，应该会继续看他其他的作品。
樱花动漫网友: 《决斗》这部影视作品放在人人都要喊着走出舒适圈的今天，简直是部丧爆了的作品吧！感谢朱丽叶·贝尔托,布鲁·欧吉尔,Jean Babilée,Hermine Karagheuz,Nicole Garcia的精彩演绎，感谢雅克·里维特导演，自由，说起来容易，其实是另一种束缚，太多的选择，等于别无选择！坚守自己可以掌控的东西，也是需要勇气的事！如果每个人都能坚守住自己的精神家园，就不会有那个操蛋的20世纪了吧！
酸笋剧场网友: 影片《决斗》剧情联系现实，题材很优秀，完成度很高，当中的场景推进都十分的紧凑，剧中的所有场景情节都可以将观众们的心所感染，在技术细节上面当中来看的话，其实也挑不出来很大的毛病，冲着剧情和演员也该给这个分数，朱丽叶·贝尔托,布鲁·欧吉尔,Jean Babilée,Hermine Karagheuz,Nicole Garcia等实力派演员的演技简直了。
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