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倒计时剧情简介
电影《倒计时》由珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德主演，由大卫·格瑞尼 执导，于1969年在英国上映，编剧，英文名：daojishi ，The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
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倒计时影评
酸笋剧场网友：大卫·格瑞尼导演在《倒计时》这部影评中的运镜、剪辑、演员珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德 的演技、配乐都是满分的存在，《倒计时》以剧情为切入感十分流畅不出戏，甚至里面的一些细节拍的如此之好，让我十分惊喜。
百度云网友:《倒计时》的伟大之处就是给你营造了一个梦幻国度，不仅画面美而且充分发挥你的想象力，最主要是抽离现实让你短暂忘掉现实，从懂事起就听过这部影片，一直到现在才看，大卫·格瑞尼不愧是大师，应该会继续看他其他的作品。
樱花动漫网友: 《倒计时》这部影视作品放在人人都要喊着走出舒适圈的今天，简直是部丧爆了的作品吧！感谢珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德的精彩演绎，感谢大卫·格瑞尼导演，自由，说起来容易，其实是另一种束缚，太多的选择，等于别无选择！坚守自己可以掌控的东西，也是需要勇气的事！如果每个人都能坚守住自己的精神家园，就不会有那个操蛋的20世纪了吧！
酸笋剧场网友: 影片《倒计时》剧情联系现实，题材很优秀，完成度很高，当中的场景推进都十分的紧凑，剧中的所有场景情节都可以将观众们的心所感染，在技术细节上面当中来看的话，其实也挑不出来很大的毛病，冲着剧情和演员也该给这个分数，珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德等实力派演员的演技简直了。
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